See-through Raincoat by Stephen Beechinor

Credit: Gerhard Richter

 


See-through raincoat, one large pocket, stuck on a tree

The idea was gone from her now. Dark in the bed she lay up on the pillow where the ideas came many after the late nights and the all too much. She became a stark awake feeling at the end of a short winter’s day. But she perceived the good at times of doing without sleep, knew the benefit of going without comfort at times.

Other ideas came and went. There was the afternoon in the Green Park in London and the see-through raincoat that belonged to her artist friend. For days in July she wore the city like the raincoat with the one large pocket. Both looked well on her, fantastic as any raiment that never hangs right.

There was the park and the uncertain couple they would have made, she and the man she had arranged to meet. He joked about where they might enjoy the optimum extension of the sun and they drifted into the grass away from a small crowd emptying a bottle of wine.

He was coming from a reception, heading to something he couldn’t get out of later on. Neither mentioned the idea of wine, although it was the evening and a Friday, although July.

They sat in that old opposite way catching up, feeling the cold, talking but.

–What are those tall trees called? she asked.

–Plane, he said. Or lime…

So he admired her raincoat again. The trees extended shades across the grass. He apologised importantly then and she disliked the apology when it came.

–Shocker. You made the journey after all, he conceded. You know I didn’t expect…

And still she let him away with that. Chatting had used to be sharp, whip smart and somehow easy with him, almost free.

–Well, the park is certainly green, she began saying and his eyes became wet a moment, glassy, and not for the cold or the diminishing sun.

The idea that had gone did not centre on him. Nor others round whom her thoughts dallied and sped, others that came and went in no particular order, before him in July and since.

She had worn the see-through raincoat since the days in London and the man in July, often worn it and washed it. On the yellow folding chair it lay now, under clothes, the raincoat that used to belong to her artist friend, the raincoat with the one large pocket.

Before they left the Green Park to eat udon noodles and chicken dorai, of the man she was sitting with she could have asked why his eyes shone that way, why that wet and glassy look, was it for the cold.

Below, as the last or the first bus came by, she decided she could no longer stand to have this garment in her room. All too often she had reminded herself to sell the raincoat or swap it, get shot of it, return it to the original owner, or just pass it on to any of its admirers without a fuss. She had reached a point.

So she went to the window and dispatched the raincoat into the early hours, and down it sailed, twisting and flapping, spent, of no further consequence, an allegory flung upon the branches of a tree.

This much done, there remained no idea in the dark but her laying there.

 

 

 


Stephen Recommends:
John McGahern, Raymond Carver, Isaac Babel, Juan Rulfo and Quim Monzó.
Parting Shots:
Stories by Stephen Beechinor have featured in the pages of The Dublin ReviewBarcelona INK and The Irish Times.


Leave a Reply


Latest Articles

  • Archive Columnists Featured Notes from the Subway Olympus Fell Ages Ago

    Olympus Fell Ages Ago

    Olympus Has Fallen Directed by Antoine Fuqua, 2013 US, 120 minutes Tons of spoilers lie within. But trust me, you’re not gonna be there for the plot. Every bit as bad as I wanted it to be, Olympus Has Fallen is an impressively silly film with a style and plot of such prelapsarian naivety that it would be hard to imagine it being made… had it not been made. You can imagine the whole thing from the trailer: North Korean terrorists; a spectacular attack on Washington, DC; a brick-jawed president with a puppy-haired son and a tragically dead wife; a [...]

    Read more →
  • Columnists Featured Notes from the Subway An Other Passion

    An Other Passion

    The Gospel According to the Other Mary Music by John Adams, libretto compiled by Peter Sellars Gustavo Dudamel (conductor), Los Angeles Philharmonic Avery Fisher Hall, Lincoln Center 7.30pm, 27 March 2013 This week saw the aptly timed New York premiere of John Adams’s most recent large-scale choral work, a new Passion entitled The Gospel According to the Other Mary. Pitched as a companion piece to his 2000 Christmas oratorio El Niño, this is another huge work – close to two and a half hours in duration and featuring a raging Los Angeles Philharmonic under the athletic captaincy of Gustavo Dudamel. [...]

    Read more →
  • Columnists Featured Notes from the Subway Fear and Desire: A Kubrick Retrospective

    Fear and Desire: A Kubrick Retrospective

    The Films of Stanley Kubrick: Fear and Desire; Killer’s Kiss; The Killing; Paths of Glory; Spartacus; Lolita; Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb; 2001: A Space Odyssey; A Clockwork Orange; Barry Lyndon; The Shining; Full Metal Jacket; Eyes Wide Shut; A.I. Artificial Intelligence Directed by Stanley Kubrick, 1953-1999; Steven Spielberg, 2001 US/UK, various running times Room 237 Directed by Rodney Ascher, 2012 US, 102 minutes  All 13 of Stanley Kubrick’s feature films – plus Steven Spielberg’s A.I. Artificial Intelligence (2001), based on drafts and notes by Kubrick – are screening at the IFC [...]

    Read more →
  • Curios Featured There YOU Are: 10 of the Best and Worst Perfume Ads

    There YOU Are: 10 of the Best and Worst Perfume Ads

    What is the greatest advertising category in the world? The most consistently itself and subsequently hilarious? Fragrance advertising. At its best it is evocative and sensual. At its worst it is toe-curling fashion bollocks.   There’s a single reason underlying what goes so very wrong with perfume ads and that is that fashion deals in the visual. It excels in images; whether it’s a shoot where all the preparation of stylist, photographer, designer and model is to capture a moment in a single image, or a freezeframe shot from a catwalk, fashion is at its most brilliant in two dimensions. It is [...]

    Read more →
  • Columnists Featured Notes from the Subway “We don’t know what we don’t know”

    “We don’t know what we don’t know”

    Zero Dark Thirty Directed by Kathryn Bigelow, 2012 US, 157 minutes Spoiler alert! Insofar as you definitely know how the film ends, this is kind of redundant. But if you don’t want to know how it gets there, read no further… Teaser trailer for Zero Dark Thirty (from YouTube) Descending two escalators into the bowels of New York’s Museum of Modern Art at a pre-release screening of Zero Dark Thirty last Thursday — with the feeling of privileged access that a preview gives you — was an apt way for me to encounter the film. It is director Kathryn Bigelow’s follow-up [...]

    Read more →
  • A Play A Week Featured Theatre All In This Together by German Munoz

    All In This Together by German Munoz

    A     It’s- B     Yes. A     Completely- B     Yes. A     Completely. Messed up. All of it. B     Yes. A     It’s just so- B     Yes. A     Frustrating. B     Yes. A     I can hardly stand it. I can hardly watch anymore. B     Yes. A     It’s infuriating. Completely infuriating. B     Yes. A     It’s appalling. B     Yes. A     It’s practically immoral. B     Yes. A     And they just- B     Yes. A     Keep on going. B     Yes. A     Like everything’s fine. Like things are [...]

    Read more →
  • Theatre ‘Tis The Season To Be Jolly, Soon….by Penny Smith

    ‘Tis The Season To Be Jolly, Soon….by Penny Smith

        In a strange ritual, we gather together at this time of year, to celebrate the coming of the tree and the decorating of the turkey. We don reindeer antlers and put on enormous sponge hands, to watch a tale oft told where there is always a man dressed as a woman and a woman dressed as a man known as the principal boy. Yes, it’s panto time again. Invented in Greece, taken up by Rome, possibly related to mummers in medieval England, and considered a low form of opera during the restoration period. There are now “traditional” pantos, [...]

    Read more →
  • Audio Play Theatre The Escape by Gemma Rogers

    The Escape by Gemma Rogers

      The Escape is the third piece in the trilogy about living above The Cowshed Pub. Click here to listen Tweet This Post

    Read more →